Mastering trance | Trance mastering | Mastering Psy Trance
DJ Dirty Law (Paris) ” Thanks for this mastering, I’ve been playing it all week on a Funktion-One system, sounds really nice, thanks !! “
Mastering 1 Track = £30.00 | Stem Mastering 1 Track £45.00 | 4 Track (Stereo) E.P = £90.00 | Album £210.00
Do I know psy trance and trance music ? Here are 4 track excerpts I produced myself. I used ISM Bazzism and Spectrasonics Trilian for the kick and bass in each track (F, G, D# and G bass / prog and full on styles)
PMC IB1S, 10 inch drivers to 25Hz, large format mastering grade speakers, if such high end monitors are listed on a website ensure you see an actual photo of them in situ in the studio, as evidence they really exist. 28 x 1.2Mx0.6M bass traps, Crane Song Solaris Quantum DAC (lowest ever published jitter spec), Manley Massive Passive, 500 WPC Hypex Class D amplification, Vari Mu, Sontec Analogue eq, Summit Audio Compressor, Mytek ADC, full set of ear selected plug ins. When it comes to mastering psy trance and trance I know how this music is meant to sound on a huge crystal clear P.A. system (irrelevant of your bass line root note). Using truly mastering grade room acoustics and speakers it is time to hear the difference I can make for your tracks when they hit the dance floor. The quality of sound cannot be resolved by metering.
Whether you are an established label or an independent artist I can take your psy trance and trance tracks to their maximum sonic potential. Listen with your own ears, hear better results for your music and save money. I assure you of the best sonic results at lower pricing, performed with the right spirit.
A short video about mastering trance and mastering psy trance :
* Understanding the high degree of technical knowledge that psy trance / trance producers have please see bottom of page for more details on acoustic treatment and the large format PMC IB1S (10 inch driver) speakers with 500watt per channel Hypex Class D amplification. A mastering engineer cannot correct what they cannot hear so audiophile high end (full range to 25Hz) monitors are not a second thought they are 100pct essential, it shows the respect clients deserve.
Trance music has a rich history since the early-mid 1990’s an up tempo music form which is both unique and influential. Mastering trance music is best performed in an highly accurate and controlled monitoring environment. Large scale loudspeakers with defined and deep bass response in a well treated acoustic environment is ideal. A few foam or rockwool bass traps will not flatten the low end of a room, it is a fantasy that near fields and a couple of corner straddles is sufficient.At SafeandSound mastering there are no less than 28 x 1.2M x 0.6M bales of Rockwool/Earthwool (RW3/RW45 and 28kg m3 densities). I have some traps that are 2 Meters deep, that flattens the low end unlike almost useless foam) It is important to know your music will sound right at the festival, party or club, here there is accuracy to 25Hz. Mastering worthy reference speakers which can reproduce the full frequency range and highlight distortion and harshness early gives music the best chance of translating well to club systems/ out door P.A.s and all other environments. Small speakers will not cut it for mastering, if you see PMC IB1S listed make sure they exist by asking for a photo of them in situ. Most mastering engineers are proud of their high end monitors and show it on their site without hesitation. (check my video)
Mastering trance/psy trance also requires a mastering engineer who is sympathetic to the genre of dance music as a whole and also understands the technicalities and intent of the music. I take the challenge of mastering trance and psy personally it’s a style I know and enjoy working with, knowing the harmonically rich mixes involved require special attention, along with the huge importance of your kick and bass. With variations on highly commercial sounds and underground styles mastering trance and its variants, be it commercial, vocal trance, euphoric, tech trance, psy trance (Forest, Dark psy, Full On or Progressive, Hi Tec, Goa, Psy chill, Psy breaks, Psybient) requires someone who has an understanding of the goals of this music.
My approach to mastering trance music (and mastering psy trance music) will utilize a combination of tools in order to get the last drop of quality out of the music, taking your music to its maximum potential. Typically high end analogue equalization to promote depth and space in a mix down, high end compression, the creme de la creme of digital tools and superb fidelity reproduction systems. Trance can get harsh if the upper mid range is not carefully examined and in balance with the rest of the spectrum, a good trance mastering engineer will perfect the right tonal balance. In addition, typically you want competitive volume, this can be discussed and the right choices made for your music so it is the perfect compromise between volume and fidelity.
It is important when mastering for club based systems that the full audio range is heard down to the deepest lows. This is so any adjustments and corrections to the all important bass frequencies can be made. It is easy to miss common problems in the lower frequencies when attempting to self finalize music destined for club systems. Get it right and the results will be excellent sounding “play outs” at festivals and parties and sound great for your fans. Synthesizer heavy trance music requires an experienced ear to master successfully. If you are considering mastering trance music, drop me a line or by all means call to discuss your project and requirements.
The studio houses the following equipment:
PMC IB1S monitors / Crane Song Solaris Quantum DAC / Hypex Class D amps / MYTEK ADC
MANLEY Massive Passive (Hardware not UAD)
HCL VaRiS (Vari Mu Valve compressor)
Summit Audio DCL-200 Valve compressor
Custom built T-Filter equalizer (Sontec inspired circuit), stereo ganged.
Dynaudio BM6P and Auratone secondary monitors
The finest ear selected DSP (software) money can buy. DMG Audio, Fabfilter, Nugen, Plug In Alliance, Voxengo, Izotope, Acustica, Oeksound, etc. Only the very best from each developer.
Barry Gardner has been operating SafeandSound mastering for 10 years without equipment being moved, housed in a very well treated room, for repeatable results. 28 huge henge style bass traps plus diffusors. Very serious bass trapping. + 10 years working as head of engineering in UK production company before dedicating as a full time mastering engineer.
My philosophy is that mastering is perfomed by the ears, not by the eyes. Metering is important but secondary, super definition, detail resolving, accurate full range monitoring is not a second thought, it is critical. In mastering we need to have 100pct accuracy and detail, this way I know what not to do as well as what to do to your music. These are the small differences that set end results apart. You don’t want it in the back of your mind when you release your track that you went with a sub optimal service. A record is released once, make it count.
Just send your track via www.wetransfer.com Standard pricing 1 Track £30.00, for full details on pricing please see “Pricing and payments” on the menu bar.
This musing on kick and bass may be of interest. I understand the intricacies of this as I design my kick and bass from the ground up.